Showing posts with label lone ranger. Show all posts
Showing posts with label lone ranger. Show all posts

Friday, 28 June 2019

100 Film Reviews Special: Top 10 Worst Movies I've Reviewed


Back in April I celebrated my 100 movie reviews by counting down the top 10 best films I'd written a review for. I think it's only fair that I do the same for the not-so-great masterpieces of crap that I've had to sit through. And so for your reading pleasure here are the top 10 worst movies that I've ever reviewed. (By the way, all of these reviews you can find posted here on Arnold's Benediction.)

10.  Project Almanac (2015)
Now, to be fair Project Almanac isn't a horrible movie but it is a very forgettable one. In fact right now I'm struggling to recall things that I can say about it. All I remember is that the characters were a bunch of self-absorbed brats who used time travel for their own personal gain (though really, who can blame them?) and the ending left a bunch of lingering questions. I have mentioned this film a few times on this blog so if you want to do some time travelling yourself just head on over to that search bar. Sorry, that's all I've got for this one.

9.     Apollo 18 (2011)
“There's a reason we've never gone back to the moon.” There's also a reason I've never watched this movie since it landed in theatres: it's dull. It's a shame that with such an interesting premise – a found footage horror movie taking place on a lunar mission in the 1970's – Apollo 18 could turn out to be so boring and forgettable. I remember the cinematography being good and the plot being threadbare, but not much else. I guess some found footage movies are better left unfound.

8.     Amazing Spider-Man 2 (2014)
Now this is what you call a hot mess. At the time I still thought well of 2012's Amazing Spider-Man so my expectations were good for this one. But as the end credits started rolling on this 2014 sequel I knew I had just witnessed a stinker of a film. It has a lot in common with another disappointing spidey flick, Spider-Man 3 (2007). They've both got intriguing relationships, good acting, and decent action but they've also got an overloaded plot with too many villains and unnecessary references to Peter Parker's past. But Amazing Spider-Man 2 is less watchable and has an irritating amount of sequel-baiting for a follow-up that never came to pass. I would say that it's a good thing that the Spider-Man movies got rebooted again in 2017 but honestly my appetite for the webslinger on the big screen has diminished significantly. So yes, it's possible that this movie was so bad that it killed my enthusiasm for Spider-Man movies. Way to go, guys.

7.     The Lone Ranger (2013)
A heroic, high-flying western made by the same guys who did the Pirates of the Caribbean movies was an undertaking that had a lot of potential, but also a lot of warning signs. Unfortunately The Lone Ranger contented itself with emulating the lamer POTC films with its bloated length, confused tone, and overstuffed story. But it added to the list of old familiar problems by having a total wussie of a main character who puts the moves on his brother's widow mere days after the man's death. It is true that The Lone Ranger is a great looking movie – the cinematography is superb and the sets and costumes are fine crafted down to a T – and the end train-chase sequence is thrilling, but ultimately it isn't enough to lasso victory from the jaws of defeat. The rest of the film is simply too much of a chore to sit through.

6.     Independence Day: Resurgence (2016)
1996's Independence Day was some good cheesy fun. As a kid I loved it so much I remember watching it with some friends for my birthday party once. Its hefty scope, likeable characters, and ground-breaking special effects made it a must-see for its day. It's certainly a shame that its 20-years-later sequel gets none of those things right. Instead we get an overblown scope that makes the whole thing look silly, dull characters who lack charisma, and run-of-the-mill CG effects that we've since grown numb to. Add to that a ton of expository dialogue, subtract anything that might get you emotionally invested, and round it all off with a cynical amount of sequel-baiting (good luck with that) and you'll end up with this fine mess. Pretty much the only things I did like about Independence Day: Resurgence was the interesting setting and Jeff Goldblum. In short, Resurgence is just another one of those “remember me?”, almost a franchise, CG-laden, snorefests that Hollywood loves to crank out these days. Beam me up, Scotty, there's no intelligent life here.

5.     Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Oh right, I keep forgetting that this series continues. And I really don't see why it does either. It's sad. By the time Dead Men Tell No Tales came around the well of pirate-related ideas had pretty much run dry. The bad guys in this movie are ghosts, which seems rather underwhelming given the multitude of creatures and monsters seen in previous instalments. What this movie does carry over from its predecessors are the never-ending plot holes and the boring romances. Not even the performances of Johnny Depp, Goeffrey Rush, and Javier Bardem are enough to make this film worth watching. I think the perfect word to describe Pirates of the Caribbean at this point is draining. We've had our fun with pirates, but now it's time to let it end. Please just stop.

4.     Jason Bourne (2016)
Oh my gosh, it's Jason Bourne! Was it any surprise that this movie sucks the big one? The warning signs were all there. First off, it's a Bourne movie that's come long after audiences' appetite for these films has dried up. Next, it ignores the not-great-but-still-better-than-this Bourne Legacy (2012) by not including the much more likeable Jeremy Renner. And third, the title's laziness is a pretty good indicator of how copy-paste the rest of the film is going to be (it's rarely a good sign when after a bunch of sequels the latest instalment's title is simply the character's name). The titular agent is an empty shell of a man. He wasn't much interesting to begin with but in this outing Matt Damon simply looks tired of doing this again as indicated by his meagre dialogue. Well if they bothered resurrecting this dormant series they probably came up with a good, gripping story, right? But no, it's the same plot as all the others. A shady high-ranking CIA dude who's at risk of being publicly exposed tries to hide evidence of his wrongdoing by sending an assassin to go kill off his former agent Bourne who tries forming an uneasy partnership with a female agent on the inside. It's lazy, so lazy that the previous two sentences you just read were copy-pasted straight from my review of Jason Bourne. If the film's writers can do it then so can I! And don't get me started on the incomprehensibly choppy action scenes that're fit to give you motion sickness just like it did to me. All in all, the only part of Jason Bourne that gave me joy was that I got to use the phrase “hardcore Bourne-ography” in my review. Other than that, it's trash.

3.     God's Not Dead 2 (2016)
The first God's Not Dead is a film so bad that it's a blast. I've seen it several times with friends and we've laughed ourselves silly. But God's Not Dead 2 is a film so joyless and dull that I've not seen it since it slumped into theatres. That's probably because it actually tried (a tiny bit) harder to portray more believable situations and people. Gone are (most of) the evil atheist stereotypes, gone are the terrible folks of other faiths who beat their family members senseless, and gone are the Duck Dynasty cameos. On the other hand we see the return of one-sided arguments, pointless subplots, dull acting, and Reverend Dave having the worst luck in the world. Oh yeah, the Newsboys are back too. Can't forget that. On the whole, God's Not Dead 2 is kind of boring and plays like a movie that could've been straight to DVD. And as it says in the Book of Tony, being boring is one of the wickedest sins any film doth committeth.

2.     After Earth (2013)
How? How did this happen? I'll tell you how: Will Smith wanted to show how off how cool his son Jaden is so he hastily wrote a dull, unimaginative story that was somehow supposed to spawn a trilogy of films because that's what all films try doing nowadays. Here's an idea: just make a good movie, worry about sequels later! Bringing on M. Night Shyamalan to direct certainly didn't do the lifeless script any favours either with his propensity for unenthused narration, uninspired sets, boring monologues, and numerous flashbacks. There's also some plotholes and illogical nonsense. For example, how come the whole “Earth's gravity is stronger than home's” stuff isn't brought into play? What does Cypher expect a toddler to do against a man-eating monster that's invaded his house? Why does the Ursa – the aforementioned monster – stick its victims on trees instead of eating them? But ironically it's the acting that stands out as the worst part of After Earth, a film meant to showcase the two lead actors. Will Smith gives an unaccountably emotionless performance as he spends most of the movie sitting in the same chair, talking directly to the camera. Meanwhile, Jaden Smith comes off as a whiny dweeb who falls asleep at least five times throughout the film. He tries but he severely lacks the charisma his father has (y'know, in other movies!). At the end of the day After Earth isn't the worst sci-fi movie ever made, but it will be remembered as a laughingstock for years to come.

1.     Transformers: Age of Extinction (2014)
And here we are, the worst movie I've ever written a review for: Transformers: Age of Extinction. Is anyone surprised? For years now it's been en vogue to roast Michael Bay's Transformers series of films as nothing more than overhyped, big-budget, brain-dead drivel. While I normally try to go into a movie with an open mind I must confess I knew this was going to be a bad one. The most I expected was that perhaps this fourth Transformers movie would be slightly more refined than previous instalments, maybe a few lessons learned, kinks ironed out. But no, how naive. The trademark horribleness is in full force here with the familiar kooky humour, irritating robots, dizzying camera movement/editing, mindless action scenes that go on for way too long, preposterous romances, puzzling casting, blatant product placement, in-your-face US flags, and explosions ad nauseum. Optimus Prime screams manically like a coked-up Vietnam vet and we're supposed to believe that Mark Wahlberg is a nerdy inventor. The goodguy transformers suck and they fight eachother more than they do the badguys. And to top it all off the film is obscenely boring, no thanks to the overabundance of action and humourless comedy. You'll have gone numb to the dazzling effects and never-ending action by the time the climax comes 'round. Not even robot dinosaurs were able to pull me back into this mess. That's the biggest thing I want everybody to know about Age of Extinction: the boredom it induces. We all like to poke fun at the Transformers series but do you really remember how it felt the last time you sat through one of these things? It was a chore, an utter waste of time. I'm never going back. You can't make me.

Sunday, 21 January 2018

Top 20 Good Parts of Bad Movies, Part 1

Sometimes even bad movies aren't all bad. It's very rare to find a bad movie that has absolutely no redeeming qualities to it. A lot of bad movies have at least one good part – be it an actor, a particular scene, or some other element – that make the whole thing... tolerable, the only thing you might look forward to when you watch it. So for the next couple weeks I'm going to count down the Top 20 Good Parts to Bad Movies. For this list I've tried sticking to films that had only one redeeming element to them; so you're not going to see movies like Spider-Man 3 or Attack of the Clones because, while they weren't that great, they did have several individual good things in them. And keep in mind that my ranking of this list is very subjective. I tried ranking it in order of which movies benefited the most from their one good thing. Trust me, it'll make more sense when you read it. And lastly, I'm not counting things that are ironically good or so-bad-they're-good. So you won't see Tommy Wiseau's acting or Birdemic's editing on this list. So here we go.

Honourable mentions: the thumbs up GIF from Batman Forever, the hand-to-hand combat in Jack Reacher: Never Go Back, the baseball scene in Twilight

  1. Jack Black as Augie in Airborne (1993)
If you don't know Airborne, don't feel bad. It's not worth knowing. Apart from Seth Green's ludicrous haircut the only thing of note here is a young Jack Black playing some jock/bully who has one angry outburst. Some hippie surfer dweeb is introducing himself to the class at highschool and Jack Black just jumps to the front, interrupts the dude, and shouts him down. It's pretty amusing. Thank you, Jack Black.

  1. Colin Farrell in Total Recall (2012)
The Total Recall remake isn't a terrible movie; if you switch your brain off it can be modestly entertaining. But one can't deny that it's a derivative and wholly unnecessary film with nothing new to say for both science fiction and the 1990 original and is just cashing in on the original's name recognition. But at least Colin Farrell was pretty good in it. He makes for a decent action hero and he capably pulls off the whole everyman-being-swept-along-with-crazy-events thing. Still, he's not as memorable as Schwarzenegger.

  1. Malcolm McDowell as Dr. Loomis in Halloween I & II (2007, 2009)
The two Rob Zombie Halloween films aren't very good. You might like them if you enjoy films in which everyone is a redneck jerk, there's tons of mean-spiritedness, and there's no tension or suspense... and if you never liked the original Halloween films to begin with. (On second thought, maybe I'll write an article on this one day.) But at least Malcolm McDowell makes a great Dr. Loomis. Sure, he's got an ego, he's not all that great a doctor, and this performance doesn't compare with the intensity and gravitas of Donald Pleasence's but this version of Dr. Loomis is still rather good. Like the original, he's an obsessed doctor who despairs at how he can't help Michael Myers. What makes him different from classic Loomis is that McDowell's Loomis sort of says “screw it”, becomes an arrogant jerk, and tries profiting off the whole mess which sets up his redemption later on. Again, this isn't as interesting as the classic Loomis, but it is by far the best thing about Rob Zombie's Halloween films and this mainly thanks to McDowell's performance.

  1. The Three Stooges in The Three Stooges (2012)
As I've said before, I've been a big fan of the 3 Stooges since childhood. Who doesn't get some sort of enjoyment from watching a trio of chowder-heads slap eachother around and get into wacky hi jinks? The 2012 3 Stooges movie wasn't all that great, but the one thing it got right was really the only thing it needed to get right, and that's the Stooges themselves. (I mean, nobody goes into a 3 Stooges movie expecting groundbreaking cinematography or an expertly crafted musical score.) Chris Diamantopoulos (Moe), Sean Hayes (Larry), and Will Sasso (Curly) all play their characters to a T. These wise-guys so closely resemble the classic Stooges that it's almost eerie, they've been brought back to life. These three knickle-heads have done their comedic idols proud and 3 Stooges fans soitenly couldn't have asked for better.

  1. The train chase in The Lone Ranger (2013)
Too little, too late? Perhaps, but one can't deny that the final train chase scene of Lone Ranger was some good fun. For once in this two-and-a-half hour movie, the thing doesn't take itself so seriously (or try cramming in some weird ivory fetishes). What follows is several minutes of some over-the-top Pirates of the Carribean-style spectacle with an impressive blend of special effects, stunt work, humour, fast-paced action, and the classic William Tell overture. If you're curious, then just watch this one scene and don't bother with the rest of the film. I guarantee it'll be the most fun you've seen on a train in movies since Spider-Man 2. All aboard!

  1. The Battle of Passchendaele in Passchendaele (2008)
Canadian cinema doesn't exactly have the most enviable reputation around, and Passchendaele is no exception to the rule. Don't get me wrong, it isn't a terrible movie but it is a pretty dull one. To call it the Great White North's answer to Pearl Harbor wouldn't be that far from the truth. At times it plays like a history lesson, and not a particularly interesting one. There's only two battle scenes: a very brief one at the film's beginning and the titular 1917 battle toward the film's end. And this is a right proper battle scene as brutal as anything in Saving Private Ryan with perhaps even more grit. Canadian and German soldiers slog it out in the rain and mud, shooting, stabbing, impaling, drowning, blasting, and beating eachother in an orgy of death that is directed serviceably. It has some tense moments and you'll care about what's happening to at least a few of the characters. It is my belief that every country that produces movies deserves at least one really badass historical battle scene. This is Canada's and I'm proud to call it my own.

  1. Pierce Brosnan as James Bond in Die Another Day (2002)
Sure he was just on the verge of being too old for the role, but Pierce Brosnan does do an alright job in his last outing as agent 007, which is one of the few positive things I can say about Die Another Day. If you read Arnold's Benediction often then you probably already know my thoughts on Die Another Day and it's a shame that Brosnan's last James Bond performance was in such a lame film (which seems to happen a lot to Bond actors). I consider him to be one of the better James Bond actors; a well-rounded, total package sort of performance. While not all of his 007 flicks were great Pierce Brosnan was often a highlight in them. Mission accomplished.

  1. Jennifer Aniston in Just Go With It (2011)
I'm just going to come out and say this – and you're not going to believe me – but Just Go With It is a worse movie than Jack and Jill. It is half an hour longer with a wholly pointless, meandering plot, spotty logic, and wretched characters who don't care about anyone but themselves. The only lifelike, believable, down-to-earth one amongst them is the one played by Jennifer Aniston who has surprisingly good comedic timing and decent chemistry with the main character (the Adam Sandler dude; trust me, it's not worth the time to look up these characters' names). I mean yeah, it is obvious that they're going to get together at the end, but in a movie this bad I'll take what I can get.

  1. Seth Green as Scott Evil in Austin Powers: The Spy Who Shagged Me (1999)
Hmm. You know, I was originally going to mention how much I liked Seth Green in the second Austin Powers movie, but then I did some research and realized that most of his scenes that I liked actually took place in Man of Mystery (1997), the first film in the trilogy. But you know that's what happens when you've got three films with dull plots, shallow main characters, and recycled jokes that become progressively dumber and immature. I liked these films when I was 12 (big surprise), but since then my admiration for Austin Powers films has almost vanished. (Having said that I have come to appreciate the attempt at spoofing 1960's Bond films. There was at least a respectable amount of effort in that regard.) Having said that, the character of Scott Evil was a highlight for me, especially in the first two films. This may be perhaps because he is at one and the same time both the bewildered straight man/slacker of the Evil organization and a bright-eyed teenager who wants to be accepted by his evil mastermind father. It's brilliant. Too bad it's surrounded by dick jokes and poop gags.

  1. Michael Ironside as General Katana in Highlander II: The Quickening (1991)
I think everyone already knows that this is one of the worst films ever made, so I'm just going to skip ahead to the good stuff. Michael Ironside is an actor I enjoy watching. He plays the tough guy/villain role well and his voice sounds so cool. In Highlander II we get all this and more: he hams it up a bit with goofy one-liners and jokes and over-the-top faces. It's just too bad that his character is dumb as a post and has no real motivation for doing the things he does... 'Dat voice, though.

Saturday, 8 July 2017

Movie Review Repost -- The Lone Ranger (2013)

The season of summer blockbusters is upon us! Let's take a look back at a highly anticipated, big-budget one from a few years back, The Lone Ranger. I like western films and I was actually looking forward to this one. Unfortunately it turned out to be a real disappointment, with a lame hero, a bloated run time, and general nonsense. It ended up being one of the biggest box office bombs of the year thanks to its astoundingly high budget of approximately $260 million. While I now realize that it's OK for a western to take an occasional dive into the realm of over-the-top-ness, the fact remains that this movie is a catastrophe that should be remembered. So let's have a moment of silence for this film that could've been so awesome if its script was just tweaked a little bit.

  Two-and-a-half hours. Ugh. So for those of you who don't know, The Lone Ranger (2013) is pretty much a remake of The Legend of the Lone Ranger (1981) except with no plot to kidnap the president. We've had enough presidential action movies for one summer.
  It follows ex-Ranger John Reid and his Native American friend Tonto on their quest for revenge and justice against the guys who murdered their loved ones and are engineering a war to profit off of. It is a drawn-out story involving unoriginal plot lines and a title character who dates his brother Dan's widow just days after her husband's death. What a nice guy. In fact for most of the movie the Lone Ranger (Armie Hammer) is kind of a weenie. He is largely overshadowed by his eccentric sidekick Tonto played by Johnny Depp who unfortunately is about as Native as me. For villains we have Butch Cavendish, the cannibalistic murderer who looks a lot like Captain Barbossa (this film was made by the same guys who did POTC, you know). Our other villain is railroad tycoon Latham Cole (AKA Lord Bosscrime).
  One of the things you'll notice rather quickly about this film is that the studios involved tried to make it appropriate for children but also appealing to adults. This makes the film into a clumsy combination of sometimes dumb jokes (including poop jokes) and surprisingly graphic violence for a Disney film. The whole movie is told through flashbacks by Tonto (who of course can recall in great detail events that he was not present to witness), and this only serves to both pad out the already long run time and to make the film more child-friendly. Just like with Pirates of the Caribbean, the action scenes are terrifically over-the-top spectacles: the kind where people are thrown and tossed around like rag dolls and yet never seem to break any bones. These kinds of overblown action scenes seem ill-suited to the western genre which is normally more grounded in reality. Nevertheless one thing that this movie does extremely well is the setting. The highly-detailed sets and the panoramic longshots look amazing.
  Sadly, Lone Ranger drops the ball on so many occasions. Characters will inexplicably become stupid for the sake of plot convenience, while other characters will suddenly remember how to speak a second language halfway through a scene! The running gag of people not understanding the mask was not funny at all. The one-legged prostitute chick was pointless; she has about four minutes of screen time and in the grand scheme of things doesn't really matter much. Additionally there are so many things that don't make any sense whatsoever. Like how did Tonto get so good a making bullets? How can a horse pull a buried person out of the ground by only that person's teeth? Why was a stationary ceremonial train full of passengers? Why does Cole allow Cavendish to walk around out in the open even after showing his wanted poster to everybody? Does Cole really think the railroad board members are just going to let him get away with his illegal takeover of the company? Why was that part even necessary? I'd think that by this stage in the movie the audience is already pretty sure that he's a bad guy.
  In short, the Lone Ranger is an overblown, over-hyped, over-budgeted mess of a western that tries appealing to too many people at once. It's comparable to POTC; it isn't as needlessly complicated but it somehow manages to have the same run time. Really the only people who I can recommend this film for is western fans – beggars can't be choosers, right? – and Johnny Depp fans. This movie should've been called The Adventures of Tonto and his Weenie Sidekick, the Lone Ranger.

Rating: one-and-a-half stars out of five.