Showing posts with label Independence Day. Show all posts
Showing posts with label Independence Day. Show all posts

Friday, 28 June 2019

100 Film Reviews Special: Top 10 Worst Movies I've Reviewed


Back in April I celebrated my 100 movie reviews by counting down the top 10 best films I'd written a review for. I think it's only fair that I do the same for the not-so-great masterpieces of crap that I've had to sit through. And so for your reading pleasure here are the top 10 worst movies that I've ever reviewed. (By the way, all of these reviews you can find posted here on Arnold's Benediction.)

10.  Project Almanac (2015)
Now, to be fair Project Almanac isn't a horrible movie but it is a very forgettable one. In fact right now I'm struggling to recall things that I can say about it. All I remember is that the characters were a bunch of self-absorbed brats who used time travel for their own personal gain (though really, who can blame them?) and the ending left a bunch of lingering questions. I have mentioned this film a few times on this blog so if you want to do some time travelling yourself just head on over to that search bar. Sorry, that's all I've got for this one.

9.     Apollo 18 (2011)
“There's a reason we've never gone back to the moon.” There's also a reason I've never watched this movie since it landed in theatres: it's dull. It's a shame that with such an interesting premise – a found footage horror movie taking place on a lunar mission in the 1970's – Apollo 18 could turn out to be so boring and forgettable. I remember the cinematography being good and the plot being threadbare, but not much else. I guess some found footage movies are better left unfound.

8.     Amazing Spider-Man 2 (2014)
Now this is what you call a hot mess. At the time I still thought well of 2012's Amazing Spider-Man so my expectations were good for this one. But as the end credits started rolling on this 2014 sequel I knew I had just witnessed a stinker of a film. It has a lot in common with another disappointing spidey flick, Spider-Man 3 (2007). They've both got intriguing relationships, good acting, and decent action but they've also got an overloaded plot with too many villains and unnecessary references to Peter Parker's past. But Amazing Spider-Man 2 is less watchable and has an irritating amount of sequel-baiting for a follow-up that never came to pass. I would say that it's a good thing that the Spider-Man movies got rebooted again in 2017 but honestly my appetite for the webslinger on the big screen has diminished significantly. So yes, it's possible that this movie was so bad that it killed my enthusiasm for Spider-Man movies. Way to go, guys.

7.     The Lone Ranger (2013)
A heroic, high-flying western made by the same guys who did the Pirates of the Caribbean movies was an undertaking that had a lot of potential, but also a lot of warning signs. Unfortunately The Lone Ranger contented itself with emulating the lamer POTC films with its bloated length, confused tone, and overstuffed story. But it added to the list of old familiar problems by having a total wussie of a main character who puts the moves on his brother's widow mere days after the man's death. It is true that The Lone Ranger is a great looking movie – the cinematography is superb and the sets and costumes are fine crafted down to a T – and the end train-chase sequence is thrilling, but ultimately it isn't enough to lasso victory from the jaws of defeat. The rest of the film is simply too much of a chore to sit through.

6.     Independence Day: Resurgence (2016)
1996's Independence Day was some good cheesy fun. As a kid I loved it so much I remember watching it with some friends for my birthday party once. Its hefty scope, likeable characters, and ground-breaking special effects made it a must-see for its day. It's certainly a shame that its 20-years-later sequel gets none of those things right. Instead we get an overblown scope that makes the whole thing look silly, dull characters who lack charisma, and run-of-the-mill CG effects that we've since grown numb to. Add to that a ton of expository dialogue, subtract anything that might get you emotionally invested, and round it all off with a cynical amount of sequel-baiting (good luck with that) and you'll end up with this fine mess. Pretty much the only things I did like about Independence Day: Resurgence was the interesting setting and Jeff Goldblum. In short, Resurgence is just another one of those “remember me?”, almost a franchise, CG-laden, snorefests that Hollywood loves to crank out these days. Beam me up, Scotty, there's no intelligent life here.

5.     Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Oh right, I keep forgetting that this series continues. And I really don't see why it does either. It's sad. By the time Dead Men Tell No Tales came around the well of pirate-related ideas had pretty much run dry. The bad guys in this movie are ghosts, which seems rather underwhelming given the multitude of creatures and monsters seen in previous instalments. What this movie does carry over from its predecessors are the never-ending plot holes and the boring romances. Not even the performances of Johnny Depp, Goeffrey Rush, and Javier Bardem are enough to make this film worth watching. I think the perfect word to describe Pirates of the Caribbean at this point is draining. We've had our fun with pirates, but now it's time to let it end. Please just stop.

4.     Jason Bourne (2016)
Oh my gosh, it's Jason Bourne! Was it any surprise that this movie sucks the big one? The warning signs were all there. First off, it's a Bourne movie that's come long after audiences' appetite for these films has dried up. Next, it ignores the not-great-but-still-better-than-this Bourne Legacy (2012) by not including the much more likeable Jeremy Renner. And third, the title's laziness is a pretty good indicator of how copy-paste the rest of the film is going to be (it's rarely a good sign when after a bunch of sequels the latest instalment's title is simply the character's name). The titular agent is an empty shell of a man. He wasn't much interesting to begin with but in this outing Matt Damon simply looks tired of doing this again as indicated by his meagre dialogue. Well if they bothered resurrecting this dormant series they probably came up with a good, gripping story, right? But no, it's the same plot as all the others. A shady high-ranking CIA dude who's at risk of being publicly exposed tries to hide evidence of his wrongdoing by sending an assassin to go kill off his former agent Bourne who tries forming an uneasy partnership with a female agent on the inside. It's lazy, so lazy that the previous two sentences you just read were copy-pasted straight from my review of Jason Bourne. If the film's writers can do it then so can I! And don't get me started on the incomprehensibly choppy action scenes that're fit to give you motion sickness just like it did to me. All in all, the only part of Jason Bourne that gave me joy was that I got to use the phrase “hardcore Bourne-ography” in my review. Other than that, it's trash.

3.     God's Not Dead 2 (2016)
The first God's Not Dead is a film so bad that it's a blast. I've seen it several times with friends and we've laughed ourselves silly. But God's Not Dead 2 is a film so joyless and dull that I've not seen it since it slumped into theatres. That's probably because it actually tried (a tiny bit) harder to portray more believable situations and people. Gone are (most of) the evil atheist stereotypes, gone are the terrible folks of other faiths who beat their family members senseless, and gone are the Duck Dynasty cameos. On the other hand we see the return of one-sided arguments, pointless subplots, dull acting, and Reverend Dave having the worst luck in the world. Oh yeah, the Newsboys are back too. Can't forget that. On the whole, God's Not Dead 2 is kind of boring and plays like a movie that could've been straight to DVD. And as it says in the Book of Tony, being boring is one of the wickedest sins any film doth committeth.

2.     After Earth (2013)
How? How did this happen? I'll tell you how: Will Smith wanted to show how off how cool his son Jaden is so he hastily wrote a dull, unimaginative story that was somehow supposed to spawn a trilogy of films because that's what all films try doing nowadays. Here's an idea: just make a good movie, worry about sequels later! Bringing on M. Night Shyamalan to direct certainly didn't do the lifeless script any favours either with his propensity for unenthused narration, uninspired sets, boring monologues, and numerous flashbacks. There's also some plotholes and illogical nonsense. For example, how come the whole “Earth's gravity is stronger than home's” stuff isn't brought into play? What does Cypher expect a toddler to do against a man-eating monster that's invaded his house? Why does the Ursa – the aforementioned monster – stick its victims on trees instead of eating them? But ironically it's the acting that stands out as the worst part of After Earth, a film meant to showcase the two lead actors. Will Smith gives an unaccountably emotionless performance as he spends most of the movie sitting in the same chair, talking directly to the camera. Meanwhile, Jaden Smith comes off as a whiny dweeb who falls asleep at least five times throughout the film. He tries but he severely lacks the charisma his father has (y'know, in other movies!). At the end of the day After Earth isn't the worst sci-fi movie ever made, but it will be remembered as a laughingstock for years to come.

1.     Transformers: Age of Extinction (2014)
And here we are, the worst movie I've ever written a review for: Transformers: Age of Extinction. Is anyone surprised? For years now it's been en vogue to roast Michael Bay's Transformers series of films as nothing more than overhyped, big-budget, brain-dead drivel. While I normally try to go into a movie with an open mind I must confess I knew this was going to be a bad one. The most I expected was that perhaps this fourth Transformers movie would be slightly more refined than previous instalments, maybe a few lessons learned, kinks ironed out. But no, how naive. The trademark horribleness is in full force here with the familiar kooky humour, irritating robots, dizzying camera movement/editing, mindless action scenes that go on for way too long, preposterous romances, puzzling casting, blatant product placement, in-your-face US flags, and explosions ad nauseum. Optimus Prime screams manically like a coked-up Vietnam vet and we're supposed to believe that Mark Wahlberg is a nerdy inventor. The goodguy transformers suck and they fight eachother more than they do the badguys. And to top it all off the film is obscenely boring, no thanks to the overabundance of action and humourless comedy. You'll have gone numb to the dazzling effects and never-ending action by the time the climax comes 'round. Not even robot dinosaurs were able to pull me back into this mess. That's the biggest thing I want everybody to know about Age of Extinction: the boredom it induces. We all like to poke fun at the Transformers series but do you really remember how it felt the last time you sat through one of these things? It was a chore, an utter waste of time. I'm never going back. You can't make me.

Monday, 4 July 2016

Movie Review - Independence Day: Resurgence

   I am a big fan of the original Independence Day from 1996. I saw it as a kid and I loved it. Growing up, I realized how silly and dumb it was, but I loved it just the same. It was a film that never really needed a sequel, but I guess 20 years is a fair time to wait for the nostalgia wave to wash something ashore. Case in point, Independence Day: Resurgence. Does it equal the silly funfest of its predecessor? Let's find out.
   Twenty years after the events of the first movie, humanity has risen from the ashes stronger than ever. I've got to hand it to the filmmakers here, the settings look really imaginative and creative: very different from the Earth we saw in the 1996 film. Alien technology has been used to revolutionize everyday life and world peace is now a reality – even though armed militias and warlords still exist, uh-doy! – probably because everyone in this world seems to know/be related to eachother. And if you didn't get all of this set up right away then don't worry; Resurgence clumsily explains its backstory with clunky exposition. In the first 45 minutes there are tons of lines that go like “I was the youngest valedictorian in the academy's history”, “you gave up flying to take care of me”, and “you've been in a coma for 7300 days now”. In the words of Rush, “Show me, don't tell me.”
   I'm supposed to be talking about the plot, aren't I? Anyways, aliens show up and wreck a bunch of major cities, and what's left of the US government retreats to Area 51 to lead humanity's last stand. It's a plot that's extremely similar to the first film, but with even less emotional weight. What I mean is that with the first Independence Day, the movie took its time to really build things up, to maximize the epicness and awesomeness of what was happening. Resurgence, on the other hand, seems more concerned with getting to the point and throwing some action our way. This is especially evident when characters die. For example, there's a scene in which one character sacrifices himself during a battle (in the same way that Randy Quaid did in the original), but there's hardly any emotional weight to it. What's more, his death is never mentioned again so you're pretty much guaranteed to forget about it after a few minutes. But these shortcomings are (arguably) forgivable thanks to the amazing cliffhanger ending. Don't worry, the film's story is resolved, but the cliffhanger ending outlines what'll happen in the sequel. And it does it in the most goofy, over-the-top, badass way possible. For the Independence Day series, it's perfect! Seriously, if you can find a clip of the last minute of this movie, then go watch it. That part alone is worth the price of admission.
   Now for the characters. Most of the surviving ones from the first movie are back – Jeff Goldblum, Bill Pullman, Judd Hirsch, Brent Spiner, and Jasmine Dubrow – and they're all fun to watch. Too bad Will Smith's character died offscreen between films. Lame. The movie also tries introducing some new characters, but they're mostly colourless and have no charisma which only adds to the “why should I care?” problem. Having said that, General William Fitchner and Deobia Oparei as the badass Congolese warlord are alright.
   As was the case with the first film, this one is written and directed by Roland Emmerich, who is a lousy writer, but a capable director who makes heavy use of impressive special effects (even if it is sometimes hard to tell the good guys' and bad guys' aircraft apart). Perhaps more than the first film, Resurgence has a good amount of humour, which includes nice little references to the original.
   However, there were a few things that didn't quite make sense to me. Like, did the governments of Earth rebuild the cities that were destroyed in 1996 exactly the way they were before? It looks like it, though it's a shame that they got destroyed all over again! Also, the cities' destruction seemed a little inconsistent. For example, how did the Burj Khalifa end up getting flung all the way over to London in one piece? And if there was a hole being drilled through the ocean floor hundreds of kilometres deep, then wouldn't there be water rushing into it?
   As I've said before, the first Independence Day film is a load of mindless fun. If I had to rate it today, I'd probably give it a 3 or something. Resurgence wants to be like its predecessor (maybe a little too much), but it isn't as memorable, epic, or emotionally engrossing. There are moments of fun to be had, but the real concern here is: will you care?

Grade: two stars out of five.