Showing posts with label Interstellar. Show all posts
Showing posts with label Interstellar. Show all posts

Wednesday, 10 April 2019

100 Film Reviews Special: Top 10 Best Movies I've Reviewed


Here we are. It's hard to believe that I've done one hundred movie reviews over the course of nine years. Casually reviewing movies has been a lot of fun and for those of you who have stuck around to read these things this is my thank you gesture: the top ten best films I've reviewed. (FYI: Each of these films' reviews can be found on this blog.)

  1. Looper (2012)
Looper is a mostly forgotten sci-fi thriller movie that I think is criminally underrated. I wish I could go back in time and sing its praises even louder so that more people knew about it! If you've heard about Looper's plot then you'll probably just think it's Terminator set in the Midwest, but those who've seen it can tell you that it is so much more than that. It's a thought-provokingly original story that pits a hitman named Joe against his own future self. The tension comes from watching how far old Joe will go to fix his reality and how far young Joe will go to set things right in his own reality. Bruce Willis and Joseph Gordon-Levitt's dual performance as Joe is a joy to watch and the action is tense. If you like smart sci-fi action films then you've got to give this one a try.

  1. The Disaster Artist (2017)
Is seems strangely appropriate that a movie famous for being terrible would spawn a “making of” comedy-drama that is famous for being outstanding. The Disaster Artist got me hyped up like few other films have and it did not disappoint. If you've seen The Room (2003) – which I recommend before watching this – or read Greg Sestero's book The Disaster Artist then you'd know that the story of The Room's production would have to be put to film one day. A tale with this much weirdness and hilarity, but also heartbreak and inspiration, demands it. And it's a tale that's handily brought to life by a magnificent performance from James Franco as the enigmatic Tommy Wiseau. Watching this outcast chase his dreams makes for some great entertainment and a fine addition to the feel-good genre of films.

  1. Baby Driver (2017)
If this was a top 10 list of the funnest movies I've ever reviewed, then Baby Driver could very well be #1 on such a list. Few other films I've reviewed have such high-energy direction, cool characters, gripping action and tension, and a unique use of music. While I've never agreed with the notion that a film's music is itself a character I would say that the way songs play in Baby Driver set the tempo and mood for almost every scene. It's a different way to experience a film and I hope more action movies take note of this.

  1. Gravity (2013)
Perhaps the best-looking movie I've reviewed, Gravity is a beauty to behold. Through the masterful cinematography, the viewer experiences how isolated, cramped, and fatigued the astronaut characters are at various points. Suspension is also sustained through the film's tense score and the special effects are so well done that it's easy to forget that more than 85% of what you're seeing was made in a computer. While there's not too much going on story-wise Gravity still manages to be an enthralling film, borrowing themes found in other shipwreck/survival movies and adapting them to the most extreme of settings, the final frontier. It's a true wonder of a movie, one you can easily lose yourself in.

  1. Logan (2017)
While it isn't a perfect movie, I do believe that Logan is one of the best superhero movies of this decade and certainly the best I've written a review for. In his last performance as Wolverine, Hugh Jackman gets one hell of a sendoff with a brutal, heart-wrenching movie that will be remembered by X-Men fans for years to come. Finally we get to see a hard R-rated film about everyone's favourite Canadian mutant which tells the story of the end of his life. It's a great story in which an indifferent and cynical Logan realizes that there is still hope for people like him and he finds value in fighting for the next generation. I know I'm going to be watching Logan many more times in my future, because it's a powerful film and its main character is the best there is at what he does.

  1. Skyfall (2012)
In 2012, the 007 series was in dire need of a good movie. 2006's Casino Royale was brilliant but its follow up, Quantum of Solace, was a shoddy disappointment. It would be an excruciating four years until Bond fans got their next 007 flick and if this one turned out to be a stinker then the Daniel Craig era of Bond would be dead before it had ever truly lived. Thank goodness Skyfall ended up being an action tour de force that easily ranks as one of the best James Bond movies ever made. With its masterful characterization, fun action scenes, dazzling direction, comfortable acting, cool musical score, and dry British humour Skyfall is a film for all action fans. Though I still think Casino Royale was better than Skyfall, I will say that the latter film is the more accessible and perhaps more exciting of the two. Sam Mendes, mission accomplished.

  1. Dunkirk (2017)
I've already spoken at length about how much I've enjoyed this film. I've written about the captivating cinematography, the pulse-pounding score, the dazzling stunt work and practical effects, the exciting action, and the uplifting ending. Dunkirk is an excellent addition to the war film genre as it depicts a battle not often seen in major films and it also brings focus to the fact that not all combatants in war are indomitable heroes, sometimes they're simply trying to survive unwinnable situations. In this regard I guess Dunkirk is roughly comparable to Thin Red Line, albeit less wordy and less boring. If that won't want to make you watch Dunkirk then I don't know what will.

  1. Blade Runner 2049 (2017)
Gosh darn, 2017 was a good year for movies! With the deluge of lazy cash-in sequels and remakes that Hollywood churns out nowadays it is very refreshing to see a sequel that is worthwhile and does its predecessor justice as Blade Runner 2049 does, and I'll admit that I was worried when I heard news of this film being made. I should've realized that those fears were unfounded once it was revealed that Denis Villeneuve directed it and Hampton Fancher (co-writer of Blade Runner) co-wrote it. Not only is it a spectacular film to watch but it is about as faithful to the original as one could expect, right down to the compositions, score, and dialogue. Probably the biggest difference between the two films is the ending; the original left audiences with an ambiguous ending whereas the sequel concludes on a hopeful note. Overall, it easily ranks as the best film I saw on 2017.

  1. Interstellar (2014)
I've already mentioned this movie several times on Arnold's Benediction, probably because it's so amazing that I can't stop thinking about it. To me Interstellar embodies all the wondrous things that movies can be about, showcasing how imaginative and creative movies can be while also showing some heart with a moving story. And of course it's all pulled off with the highest professionalism and quality we expect of a Christopher Nolan film: great acting, effects, cinematography, and music. In short, Interstellar is out of this world! Heh heh.

  1. The Revenant (2015)
If you've ever read my Top 20 Best Movies I've Ever Seen article (November 2016) you may be surprised that this film is ahead of Interstellar. I guess I've re-evaluated my opinion on the two films because I now find The Revenant the more interesting of the two. It is a movie that is violent and visceral, yet also hauntingly beautiful. Tom Hardy and Leonardo DiCaprio give some of the best performances of their careers and director Alejandro Iñárritu creates a mesmerizing tapestry of a film that includes numerous sustained shots and dazzling compositions. I'll admit that it's a challenging film that isn't for everybody but it is a rewarding one for those who pay close attention. Just let this film take you away to a different time and place. It'll make you want to not blink.

Saturday, 12 January 2019

Movie Review Repost -- Interstellar (2014)

Hey, folks. It's been a while since I've done a repost of a previously reviewed film (sorry, 'bout dat. I've been busy lately.) and today I'm highlighting a film I can't believe I haven't shared with you yet. This is Interstellar, one of the best movies I've ever reviewed. Has it really been four and a half years already? I remember this film being fascinating when I first saw it and upon repeat viewings it has lost its lustre at all. I have briefly mentioned Interstellar in other articles such as my 2018 Year in Review (just last month) and the Top 20 Best Films I've Ever Seen (November 2016) but now I'm finally uploading my original review from 2014 for your enjoyment. Thanks for reading.


  To infinity... and even further!! It seems fitting that this film would be playing at the Galaxy theatre! Hahaha... sorry. Let's just review this thing.
  Interstellar displays all the trademarks of a typical Christopher Nolan film: familiar cast/collaborators, a long run time, a huge budget, and a plot that is heavily based in both philosophy and metaphysical puzzles. A science fiction film that takes place in the near future (presumably, no dates are ever given), Interstellar is set in a world of privatized education, a drastically reduced government, and virtually no militaries. Sounds like paradise, right? Nope, because the now-largely-agrarian world is ravaged by a huge blight causing dust storms everywhere. A former NASA pilot, Cooper (McConaughey) is recruited to lead a mission to make contact with expeditions that have already landed on far away planets in order to gauge their habitability so that humanity can leave Earth. I'll try not to spoil the rest for you; it's a real melon-scratcher of a plot. And don't even think about asking me about the validity of the sciency stuff in this; I'm sure that Stephen Hawking fella can enlighten you. But while I'm pretty sure that artistic licence overtakes accuracy in the film's last twenty minutes, it doesn't diminish the film's enjoyability and I think it makes for a very strong ending. Even though the film is nearly three hours long, it certainly doesn't feel too long; I guess you could say that viewers will experience time dilation of their own! This is helped by the fact that Interstellar jettisons the unnecessary debates that plagued some other Nolan films (Dark Knight trilogy, anyone?). The story handily manages to be both thought-provoking and tear-jerking at times.
  Interstellar's acting is out of this world. The whole cast – especially McConaughey and Jessica Chastain – does a phenomenal job with only a few exceptions: Michael Caine's occasional unintelligible mumbling and Matt Damon's sometimes stiff dialogue.
  As for the production, it's the same high standards that you'd expect from a Christopher Nolan movie. The special effects – both practical and CG – are spot-on. Interstellar also has a powerful soundtrack that will seldom leave you wanting – although there's one scene in particular that might have benefited from the silly Star Trek fight music. Seriously though, it's one of the best soundtracks I've heard in a while.
  But as with all movies, Interstellar has a few puzzling oversights. We're not given very many details about what Earth is like in the future. The same can be said of the other planets that are explored in this film; they're about as creative as Star Wars planets (spoiler alert: Kamino, Tatooine, and Hoth appear in this movie). Also NASA comes off as a rather shady organization here with all the lying and double-crossing going on. And yet for such an important top-secret institution they sure do have lousy security.
  No matter. Interstellar is still a fantastic adventure from start to finish. It's a splendid-looking and -sounding spectacle that has decent drama and yet doesn't bore you with the interminable discussions that people often criticize Nolan films for. Offering lots in the way of science, fantasy, and surrealism, Interstellar is a very worthwhile experience.

Rating: four and a half stars out of five.

Saturday, 19 November 2016

Top 20 Best Movies I've Ever Seen - Part 1

I love writing about movies, both from a critical and a personal perspective. Reviewing movies is a fun and engaging way to talk about and appraise both our culture's artistic expression and the worthiness of the various methods by which we entertain ourselves. There are some movies that do both those jobs so conspicuously well, that I think they are worth a mention. And so for the next two weeks or so I'm counting down the Top 20 Best Movies I've Ever Seen. The rules are simple, these films need to have been theatrically released and I need to have seen them. And just so you know, I'm going to try to judge this list as objectively as I can. So don't go thinking that this is the list of my top 20 favourite movies. That one will probably come later some time.
Honourable Mentions: Koyaanisqatsi (1982), Seven (1995), Der Untergang (2005), Sicario (2015)

20. A Christmas Carol (AKA Scrooge)(1951)
Ah, Christmas movies... Who doesn't love to kick back and watch a good X-mas flick every December? And this timeless gem is one I watch every year. Even though it may seem archaic by today's movie making standards, that only seems to add to the overall “old-ness” of the film's setting. The tone perfectly – albeit somewhat retroactively – complements the story and theme of this very much Industrial Era film. I remember reading the book A Christmas Carol in elementary school and upon rewatching this film afterwards, I saw just how faithful it was to Charles Dickens's original tale. And I believe the few changes that were made in the film were for the better. The scoring is classic, and it enhances the mood quite nicely. I find this most evident in the scenes depicting the Cratchit family. They'll get you right in the feelies, they will. And lastly, who could forget the fantastic performance of Alastair Sim as Ebenezer Scrooge? In all the iterations I've seen of this story, no one pulls off the transition from bitter, grumpy old man to jovial good guy better than Mr. Sim. If there's any one film that can brighten your cold winter day and put you in the Christmas spirit, then this is it, my friends.

19. Master and Commander: The Far Side of the World (2003)
I remember in my grade 7 drama class my teacher showed us this film, instructing us to pay extra attention to the acting, the choreography, the drama, and the story-telling. It was the first time I recall ever watching a movie with a critical eye. And Master and Commander was a fine film to learn from. Aside from being an engaging and epic thrill with edge-of-your-seat action scenes, it has some exceptional production design and interesting characters. I love how the movie balances its focused portrayal of Napoleonic naval warfare and the relationships between characters: in particular, Russel Crowe as Captain Jack Aubrey and his friend Dr. Stephen Maturin played by Paul Bettany. It's one of those films that achieves the perfect balance between story, action, and characterization. Huzzah!

18. The Revenant (2015)
Alejandro Inarritu's two most recent films – Birdman (2014) and The Revenant – have found widespread mainstream success. While the two aren't all that different in style, I believe that the Revenant is the superior of the two. This one has a more interesting setting and is just all-round more entertaining. I enjoy a good western every now and then and the Revenant has got to be the most visceral yet also the most beautiful of the ones I've seen. Each shot looks like a work of art. I've already written a review on this movie, so the only thing different I can say is try watching this movie alone some time. Take in the atmosphere, the spectacle. It's quite an experience.

17. Casino Royale (2006)
No, not the one with Woody Allen. This is the one with Texas Hold 'Em, son. If you're familiar with my blog then you probably already know that Casino Royale is my preferred Bond film. In fact I'd list it as a strong candidate for best action movie of this generation. It successfully mixes an intense, gritty (yet coherently edited, thank you) feel with the patented wit and style that Bond films are known for. I particularly love how the tone is set with the stylish opening scene and the brilliant opening credits set to hard rock music. The smart dialogue and shining performances – from the likes of Daniel Craig, Eva Green, Judi Dench, and Mads Mikkelsen – will pretty much obligate you to rewatch it again and again.

16. Interstellar (2014)
Christopher Nolan has made some pretty remarkable films over the past decade an a half, but this one must be his most fascinating. How can you not love a science fiction movie that takes itself so seriously, tries very hard to be scientifically plausible, and yet sets up fantastic new worlds to explore and dire problems to solve? This type of expressive imagination is the very stuff that movies were invented for, as early as 1902's La Voyage dans la Lune. Interstellar is one of those films in which everything seems to come together perfectly: the commendable acting, the seamless special effects, masterful directing, and of course the amazing Hans Zimmer soundtrack. By the time it's over, you may be surprised to find out that it's almost three hours long. Partly because it eschews most of the long philosophical debates of other Nolan films, and partly because it's so cool, Interstellar's viewers will experience a bit of time dilation themselves.

15. The Departed (2006)
For this entry I could simply recite the lyrics to King Missile's “Martin Scorsese”, but he really does make such excellent movies. In the Departed, you'll find a great crime thriller in which the tension just builds unrelentingly as the plot thickens again and again. Featuring first-rate performances from pretty much every one of the ensemble cast members (Matt Damon, Leonardo DiCaprio, and Jack Nicholson just to name a few), this film has the type of drama that you really care about without a doubt for any of the characters' intentions or motivations. As Scorsese himself has said, “This is the first movie I've done with a plot.” And that ending! The movie has a triple-twist ending in rapid succession, one that you won't see coming but will surely leave you satisfied. So get watchin'.

14. Das Leben der Anderen (AKA The Lives of Others) (2006)
I first saw Das Leben der Anderen in my Soviet Union history class a few years ago. I thought it was cool. For those of you who don't know, The Lives of Others is about a Stasi agent in 1984 who runs a surveillance operation on a suspected dissident playwright who increasingly makes the agent second guess his political and moral beliefs. Unlike most spy movies which are all about action and suspense, this one sticks to realism and is more focused on drama, making it a unique entry in the spy genre of films. Its gripping opening scene alone is enough to get you hooked for the next two hours. The historical accuracy of the film's setting and organizations is quite stunning, even going so far as to use real-life locations such as the former Stasi headquarters building. The Lives of Others also boasts terrific acting, a powerful visual style, brief moments of dark humour, clever subtlety (plot-wise), and one of the greatest and most touching endings to any movie I've ever seen. If you haven't heard of it, I would highly recommend checking it out.

13. No Country For Old Men (2007)
It seems that people love to sing the praises of the Coen Brothers' films, but for me they seem to be hit and miss. I liked The Big Lebowski (1998), but Hail, Caesar (2015) didn't do it and I just didn't get Fargo (1996). But No Country for Old Men is a film that I immediately understood. A modern neo-western thriller set in Texas in 1980, the film is loaded with deep themes typically found in most other Coen Brothers flicks. The narration, conspicuous absence of music, and impressive cinematography all work together to establish a powerful mood which is bleak and foreboding. Combine this with the standout performances of Tommy Lee Jones, Josh Brolin, and Javier Bardem and you've got an endlessly watchable gem of a film.

12. Full Metal Jacket (1987)
And here we have a Stanley Kubrick classic, one of my favourite films ever: Full Metal Jacket. What can I say about this film that hasn't already been said? It's a Vietnam War film in the style of both a drama and a black satire with loads of irony. It's comparable to Kubrick's earlier work, Dr. Stangelove (1964), but much more harsh and violent. In this film he explores the psychological effects of militarism and warfare on the individual. Full Metal Jacket depicts warfare as a grotesque machine infused with sexual frustration and child-like naivete, ultimately making it insane, much like some of its participants as portrayed here by Vincent D'Onofrio. The film's other performances are excellent, especially Lee Ermey as the foul-mouthed GySgt Hartman. It may not be the most original war movie ever made, but it sure looks pretty with Kubrick's trademark direction and it has by far the most gripping boot camp scenes of any war movie.

11. Zodiac (2007)
David Fincher is my favourite director. He has made a bunch of great movies, but if I had to pick just one as his very best it would be Zodiac. It's the first of his films that really feels complete, where his methods and style have fully matured (digital cameras, practical lighting, etc.). This is evident when you compare the film to Fincher's first serial killer movie Seven (1995), which is still really good by the way. Here Fincher uses his distinctive visual style to emphasize both the paranoia and anxiety that gripped the San Francisco bay area during the Zodiac Killer's reign of terror and also to portray the passing of time as the case frustratingly drags on and on. I actually have read the book this movie is based on and from what I recall this film is extremely faithful to its source material. It sticks to the real-life facts and accounts, even those that contradicted each other, the main source of frustration to our main characters played handily by Mark Ruffalo, Robert Downey Jr., and Jake Gyllenhaal. Lastly, Zodiac's display of highly detailed set design and seamless CG backgrounds make for an extremely accurate and convincing period drama. Overall, Zodiac is a film whose tone and subject matter perfectly matches its director's artistic sensibilities. A true masterpiece.

Stay tuned next week for the top 10!