You know what? I
haven't seen all that many Quentin Tarantino movies now that I think
about it: just Pulp Fiction, Inglorious Basterds, and
some snippets of Kill Bill here and there. So to rectify this
I took the opportunity to see his latest one on the big screen, Once
Upon a Time in Hollywood. So is it worth a watch? Let's take a
look.
Set in 1969, Once
Upon a Time in Hollywood is a story about Rick Dalton, a TV
Western star-turned movie actor whose career is just starting to
decline. He confides in his best friend and stunt double Cliff Booth
who also has trouble finding work due to an incident on The Green
Hornet set and rumours that he murdered his wife. Together they
try to find their way through the changing face of showbiz while also
dealing with some troublesome hippies. It's an interesting story with
a methodical pace. If you can cope with its marathon two hours and
forty-one minute running time it still manages to be a fun film to
watch. But of course the pace certainly picks up towards the end just
in time for the hilariously over-the-top ending.
If you're a fan of
1960's pop culture then you've got to see this movie. The attention
to detail is incredible. The 50-year-old cars, fashion, and everyday
objects are accurate to a T with all the women in miniskirts and
short shorts and all the men with cigarettes in their mouths. There's
also too many pop culture references to count. Hardly a minute goes
by without hearing a classic song, old-timey advertisement, or
radio/TV chatter. And is it any surprise that the soundtrack rocks?
(There's not one but two Deep Purple songs!) If Once Upon a
Time in Hollywood has one thing
going for it, it's that it's a marvellous period piece film.
Anyone
who knows Tarantino movies knows that the 1960's – with the classic
music and films – is a period that suits this director just fine.
His well-known use of extended suspense comes into play, even going
so far as to let a television's creepy music serve as the scene's
scoring at one point. Tarantino's trademark awkwardness returns in
the form of drawn out conversations and unconventional hygiene right
in the camera's face. You'll also find his trademark out-of-sequence
cutaways as well as an amusing mid-credits scene. However Tarantino's
signature use of over-the-top violence is relegated to only a couple
scenes.
Once Upon a Time in
Hollywood's acting is stellar.
Leonardo DiCaprio does a fantastic job as the stuttering,
borderline-alcoholic nervous wreck Rick Dalton who is easy to
sympathize with. He's got great chemistry with the other lead Cliff
Booth, played by Brad Pitt in a very comfortable and fun performance
that recalls just a bit of Fight Club's
Tyler Durden. Lastly we have Margot Robbie as the fabled Sharon Tate.
Robbie gives a charming performance, often forgoing dialogue and
relying more on facial expressions, getting her point across just as
– if not more –
effectively.
All
in all, Once Upon a Time in Hollywood
reminds me a lot of 2016's Hail, Caesar!,
another comedy-drama about classic Hollywood. But for me OUaTiH blows
HC out of the water. It may be longer and slower-paced but I found it
far more intriguing and fun, not to mention better written. If you
can bear the length then Once Upon a Time in Hollywood
is a must-see.
Grade:
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