Wednesday, 28 August 2019

Movie Review Repost -- 22 Jump Street (2014)

You see? I don't always review action movies, I talk about other genres too. Here's a review I did for a comedy back in 2014 called 22 Jump Street. I liked it a lot, and while I still haven't seen 21 Jump Street, 22 Jump Street is a fun little romp I've been back to several times. So enjoy as we take a trip down memory lane. (P.S. -- Please don't think that I've been lazy. I've just completed two articles that'll be up in September. I'll see you then.)

  Hey guys, I hope you enjoy this super-late review of 22 Jump Street. Just for the record, I was planning on seeing The Purge: Anarchy, but it was sold out and so it was either this or Tammy. I think I made the right choice.
  This film's plot is a lot like the first one's: so much so that several jokes are made about it. Two years after the first Jump Street program, officers Schmidt and Jenko are on the streets going after drug dealers. Their efforts are not very successful, thus they are reassigned to Jump Street (whose headquarters have moved to the building across the street) to pose as undercover college students. It's a great plot, providing lots of scenarios for varied jokes. Also, the question of who is the dealer is a decent mystery, but its payoff is rather underwhelming.
  As expected, 22 Jump Street's central focus is on the bromance between Jenko and Schmidt. Jonah Hill and Channing Tatum have excellent chemistry. They are hilarious and the troubles they go through are epic. Ice Cube – playing the comedically short-tempered Captain Dickson – steals every scene he's in. He has a couple of especially good freakouts. Admittedly, the villains aren't all that memorable, but that's not that much of a problem; Hill and Tatum are more than enough to keep you entertained.
  The jokes in this film are rowdy, goofy, and nonstop. Although some of them aren't exactly new – the whole character giving commentary on his own predicament in the middle of an action scene – they're still just as funny as ever. 22 Jump Street even makes fun of itself with a ton of self-referential jokes.
  I've only seen bits and pieces of 21 Jump Street, so I can't say if this one is any better or worse. But what I can say is that 22 Jump Street is a load of self-aware, side-splitting fun. If you like modern comedies, than go watch this film you'll enjoy it for sure.

Rating: four stars out of five.

Saturday, 10 August 2019

Movie Review -- Once Upon a Time in Hollywood


  You know what? I haven't seen all that many Quentin Tarantino movies now that I think about it: just Pulp Fiction, Inglorious Basterds, and some snippets of Kill Bill here and there. So to rectify this I took the opportunity to see his latest one on the big screen, Once Upon a Time in Hollywood. So is it worth a watch? Let's take a look.
  Set in 1969, Once Upon a Time in Hollywood is a story about Rick Dalton, a TV Western star-turned movie actor whose career is just starting to decline. He confides in his best friend and stunt double Cliff Booth who also has trouble finding work due to an incident on The Green Hornet set and rumours that he murdered his wife. Together they try to find their way through the changing face of showbiz while also dealing with some troublesome hippies. It's an interesting story with a methodical pace. If you can cope with its marathon two hours and forty-one minute running time it still manages to be a fun film to watch. But of course the pace certainly picks up towards the end just in time for the hilariously over-the-top ending.
  If you're a fan of 1960's pop culture then you've got to see this movie. The attention to detail is incredible. The 50-year-old cars, fashion, and everyday objects are accurate to a T with all the women in miniskirts and short shorts and all the men with cigarettes in their mouths. There's also too many pop culture references to count. Hardly a minute goes by without hearing a classic song, old-timey advertisement, or radio/TV chatter. And is it any surprise that the soundtrack rocks? (There's not one but two Deep Purple songs!) If Once Upon a Time in Hollywood has one thing going for it, it's that it's a marvellous period piece film.
  Anyone who knows Tarantino movies knows that the 1960's – with the classic music and films – is a period that suits this director just fine. His well-known use of extended suspense comes into play, even going so far as to let a television's creepy music serve as the scene's scoring at one point. Tarantino's trademark awkwardness returns in the form of drawn out conversations and unconventional hygiene right in the camera's face. You'll also find his trademark out-of-sequence cutaways as well as an amusing mid-credits scene. However Tarantino's signature use of over-the-top violence is relegated to only a couple scenes.
  Once Upon a Time in Hollywood's acting is stellar. Leonardo DiCaprio does a fantastic job as the stuttering, borderline-alcoholic nervous wreck Rick Dalton who is easy to sympathize with. He's got great chemistry with the other lead Cliff Booth, played by Brad Pitt in a very comfortable and fun performance that recalls just a bit of Fight Club's Tyler Durden. Lastly we have Margot Robbie as the fabled Sharon Tate. Robbie gives a charming performance, often forgoing dialogue and relying more on facial expressions, getting her point across just as – if not more – effectively.
  All in all, Once Upon a Time in Hollywood reminds me a lot of 2016's Hail, Caesar!, another comedy-drama about classic Hollywood. But for me OUaTiH blows HC out of the water. It may be longer and slower-paced but I found it far more intriguing and fun, not to mention better written. If you can bear the length then Once Upon a Time in Hollywood is a must-see.

Grade:


Thursday, 1 August 2019

All Songs, Best to Worst: The Doors (Morrison era)


Has it really been two years since I've done one of these? Hard to believe. I guess it's because I don't listen to the entire discography of that many bands (or at least I'm not comfortably familiar with enough bands to judge their entire discographies). Anyways this time we're going to compare The Doors' songs from the Jim Morrison era against eachother.
The Doors is a band that I've only recently gotten into and I'm wondering what took me so long; they're one of the most highly regarded American rock bands ever and their mix of blues, psychedelic, and rock is right up my alley. Their music was both intense and groovy (especially the keyboards by Ray Manzarek), Morrison's vocals were mesmerizing, and the songwriting never failed to take you on a mystical trip. The enigmatic Jim Morrison was the face of the band and he grew increasingly unstable as time went on. He died in 1971 and the remaining members tried continuing The Doors without him but called it quits after two marginal albums. Not many people care about the Doors after Morrison so today I'm going to rank all of the band's 61 songs from the six Morrison albums, best to worst. (Just for the record, I have heard 1978's An American Prayer and while I do think it's interesting I don't consider its tracks to be songs.)

1. “The End”, The Doors (1967)
2. “Light My Fire”, TD
3. “L.A. Woman”, L.A. Woman (1971)
4. “Hello, I Love You”, Waiting for the Sun (1968)
5. “Roadhouse Blues”, Morrison Hotel (1970)
6. “When the Music's Over”, Strange Days (1967)
7. “Riders on the Storm”, LAW
8. “Love Me Two Times”, SD
9. “Five to One”, WFTS
10. “Shaman's Blues”, The Soft Parade (1969)
11. “Not to Touch the Earth”, WFTS
12. “Break on Through (To the Other Side)”, TD
13. “Love Her Madly”, LAW
14. “The Soft Parade”, TSP
15. “The Changeling”, LAW
16. “Strange Days”, SD
17. “The Unknown Soldier”, WFTS
18. “Soul Kitchen”, TD
19. “The Crystal Ship”, TD
20. “People Are Strange”, SD
21. “Peace Frog”, MH
22. “20th Century Fox”, TD
23. “Love Street”, WFTS
24. “The Spy”, MH
25. “The Wasp (Texas Radio and the Big Beat)”, LAW
26. “Ship of Fools”, MH
27. “End of the Night”, TD
28. “Been Down So Long”, LAW
29. “Land Ho!”, MH
30. “We Could Be So Good Together”, WFTS
31. “Maggie M'Gill”, MH
32. “Touch Me”, TSP
33. “Take it As it Comes”, TD
34. “Blue Sunday”, MH
35. “Waiting for the Sun”, MH
36. “Tell All the People”, TSP
37. “You're Lost Little Girl”, SD
38. “I Looked at You”, TD
39. “Back Door Man”, TD
40. “Wintertime Love”, WFTS
41. “Cars Hiss By My Window”, LAW
42. “My Eyes Have Seen You”, SD
43. “Wild Child”, TSP
44. “Alabama Song (Whisky Bar)”, TD
45. “Summer's Almost Gone”, WFTS
46. “I Can't See Your Face in My Mind”, SD
47. “Yes, the River Knows”, WFTS
48. “Queen of the Highway”, LAW
49. “Runnin' Blue”, TSP
50. “L'America”, LAW
51. “You Make Me Real”, MH
52. “Do It”, TSP
53. “Unhappy Girl”, SD
54. “Crawling King Snake”, LAW
55. “Moonlight Drive”, SD
56. “Spanish Caravan”, WFTS
57. “Easy Ride”, TSP
58. “Horse Latitudes”, SD
59. “My Wild Love”, WFTS
60. “Indian Summer”, MH
61. “Wishful Sinful”, TSP