This is the end, my
only friend, the end. Dark Phoenix marks the end of the
19-years old X-Men series as run by 20th Century
Fox and it's been quite a ride, hasn't it? We've had some ups –
Days of Future Past, Logan – some downs – Origins:
Wolverine, Apocalypse
– and everything in between (I didn't think The Last Stand
was all that bad!). And to cap it all off we've now got the twelfth
and final film which takes another stab at a classic comic storyline
already tried in an earlier film back in 2006. What could possibly go
wrong?
Let's start with the
film's title. Why doesn't it say X-Men in it? This isn't
exactly a solo movie that's all about Jean Grey; Dark Phoenix
is supposed to serve as the conclusion to the “new”,
soft-rebooted series that began with First Class (2011). What,
are the producers trying to disassociate this film with the others or
something?
Anyways the story takes
place in 1992 and the X-Men are now international celebrities, but
not all is well. Professor X's motivations/intentions as the face of
mutantkind are called into question and during a rescue mission in
space Jean absorbs an extraterrestrial force that amplifies her
powers far beyond what she's used to. A shape-shifting alien race
travels to Earth to reclaim this force. Trouble ensues and
relationships are put to the test. It's a plot that borrows a lot of
elements from 2006's X-Men: The Last Stand: the same
locations, the same external forces, even some of the same deaths. As
with that film, Dark Phoenix raises a bunch of ethical debates
which cause friction amongst the team, which is interesting to see.
It's just a shame that the dialogue is a bit heavy on the
oversimplification.
It's also a shame that
Quicksilver gets the shaft. Remember the whole
he's-the-son-of-Magneto thing? Totally forgotten. And as was the case
with Days of Future Past, he gets written out rather early on
account of how overpowered he is.
Speaking of characters
getting the shaft, Jennifer Lawrence really lets down this time
around as Mystique. She acts like she barely gives a damn about
anything. There might be a bit of truth to that considering how much
time she doesn't spend in her blue mutant makeup.
Some of the acting is
quite good, especially from James McAvoy, Michael Fassbender, and
Sophie Turner. But having been set in yet another decade, Dark
Phoenix suffers from that old familiar problem of the
soft-rebooted X-Men series: the returning characters look way
too young. Cyclops, Jean Grey, Storm, and Nightcrawler haven't aged
at all since 1983. Quicksilver looks just as he did in 1973. Xavier,
Magneto, Beast, and Mystique were all born the 1930's and yet they
look just as they did in the 1960's! After four movies they still
can't get aging right. Is immortality a superpower common amongst all
mutants? Am I really watching a series of Highlander films?
But the rotten turkey
award has got to go to Jessica Chastain as Vuk, the aliens' leader.
Her delivery is so awkward and her dialogue is so Care Bears-esque
that it's impossible to take her seriously.
The scope of Dark
Phoenix's production is a mixed bag. The Hans Zimmer score sounds
excellent, but a lot of the film's other elements gives the
impression of a relatively a low-effort affair. For example, the
action is of notably smaller scale than in previous instalments. And
even though this is a movie set in the 1990's hardly any attempt was
made to make it look so. There isn't a single Nirvana song, which is
pretty much obligatory for 1990's period piece films nowadays. If you
walked into the theatre a few minutes late you could be forgiven for
assuming that this takes place in the present day. And to cap it all
off, we don't even get to see what the aliens truly look like. From
beginning to end Vuk and all her minions look just like regular
people! How lazy can you get?
That's not to say I
hated Dark Phoenix. There are some genuinely cool scenes,
sympathetic characters, decent songs, and emotional moments on
display. I'd say it's slightly better than 2016's X-Men:
Apocalypse in that it has a more focused cast, is more
emotionally commanding, and is less unintentionally funny. That being
said its lesser scale, toned-down action, and silly villains keep
this phoenix firmly mired in ashes.
Grade:
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