Sicario: Day of the Soldado is
one of three movies I'm seeing this year – the others being Tomb
Raider (reviewed back in March) and Venom (coming out in
October) – not out of genuine excitement for them but more due to
sheer curiosity. 2015's Sicario is a masterpiece of cinema
that nicely wrapped up everything it set out to do. It's another one
of those good movies that definitely didn't need a sequel, and yet
here we are. So does Day of the Soldado honour the legacy of
the first film while also being a good film in its own right? Let's
take a look.
Sicario 2 opens with human
traffickers and drug cartels doing their thing along the Mexico-US
border, except instead of just illegal migrants they're smuggling
Islamic terrorists as well. CIAgent Matt Graver is tasked with
striking back at the cartels by starting a war between them – the
whole terrorism subplot is dropped rather quickly. For this he
enlists the help of his old friend, Alejandro Gillick. It's a film
that's just as brutal and badass as its predecessor but with a little
more focus on action and less on moral dilemmas and the War on Drugs.
There's somewhat less political and moral themes than the first
film's although the theme of bureaucratic hypocrisy is still there.
Overall, it's a story that isn't as engrossing as the first though it
is enough to keep you entertained.
There's also a problem with the movie's
pacing. Within the last 30 minutes I kept thinking “is it over
now?” not because I was bored but because there's several times
where it looks like the movie could end at any moment. At least the
ending we do get is pretty cool.
Now for the characters. Emily Blunt's
Kate Macer doesn't make a return nor is she given a proper
replacement in Day of the Soldado. This is a real downer since
Macer really gave the audience someone to latch onto in Sicario 1
as she experienced and reacted to the film's moral ambiguity
firsthand. Instead Sicario 2 has the audience observing
characters at arm's length which isn't as affective or
thought-provoking. Josh Brolin returns as one of the film's two main
characters, Matt Graver. His performance is more serious and less
happy-go-lucky than in the first, but it's still quite good. This
film has him faced with the likelihood of betrayal so it makes sense
that perhaps he doesn't derive as much joy from his job as he did
before. The other returning character is Benicio del Toro as
Alejandro Gillick. His performance is spot on, very similar to the
first film's. The only difference is that we see much more of him in
the sequel and so the aura of mysteriousness he once possessed is a
bit lacking this time around.
Another mighty blow to fans of the
first film is that Denis Villeneuve is no longer directing. Instead
we've got some dude named Stefano Sollima and his direction is quite
different. Gone is the picturesque composition and gone is the colour
symbolism. Instead we've got more standard cinematography with some
admittedly cool point-of-view shots from inside vehicles. At least
that chilling theme song makes a return.
And that's about all there is to say
about Sicario: Day of the Soldado. It's a wholly unnecessary
sequel that still manages to be sufficiently entertaining. It doesn't
hold a candle to the original, but in spite of its flaws I still
enjoyed it.
Grade:
No comments:
Post a Comment