Saturday, 21 April 2018

Movie Review Repost -- X-Men: Days of Future Past (2014)

Whoa. Research for my US presidential rankings article is taking way longer than I thought it would (I'm about 2/3 done). Sorry about that. In the meantime let's take a look at my original review of X-Men: Days of Future Past, a really good superhero film. In my opinion this was the best X-Men film of all until 2017's Logan hit the theatres. Plus it has Richard Nixon in it. Who doesn't love alternated history movies with Richard Nixon in them?

  Can't think of a proper introductory paragraph. Whatever, begin the review already!
  So X-Men: Days of Future Past begins in a dystopian future where Sentinels rule the Earth, enslaving/killing mutants and mutant sympathizers. Professor Xavier's surviving mutants send Wolverine's consciousness back to 1973 in an attempt to prevent the Sentinels from being created and thus save the world from devastation. So this movie actually has two plots/settings going on at once – resulting in simultaneous fight scenes – and it is presented splendidly. Everyone's favourite mutants can be found here as well as a few new ones like Warpath, Bishop, and Quicksilver. As always Hugh Jackman contributes an impeccable Wolverine portrayal. Both James McAvoy and Patrick Stewart give excellent, emotionally-charged dual performances as Professor X, who pretty much owns the film. Mystique's character is also fleshed out a bit more just as it was in First Class. And to top it all off we even get Richard Nixon! The only thing that's missing is a Stan Lee cameo. Seriously, where is he?
  Both the action scenes and special effects are very well done, reminiscent of the style of First Class. The jokes are decent and the set pieces are impressive. Also, if you've ever wanted to see Wolverine's butt then this movie is for you.
  However there are some problems present. Like why is Magneto such a counterproductive dick? And since when has Kitty Pride – the girl who can phase through solid objects – had the ability to project peoples' consciousness back through time? In 1973 Beast has found a cure for paralysis but he never bothers to share it with the rest of the world. What a jerk! There's also an unnecessary, ridiculous subplot about one mutant's involvement in the Kennedy assassination. Every successive line relating to it is even dumber than the last.
  Additionally, there's a few problems that have been carried over from other X-Men films too. We're still never given an explanation as to why/how Magneto's powers returned after losing them in X-Men 3. There's also no explanation for Professor X being alive after he died in X-Men 3. (And for those of you who say that he transferred his consciousness into a comatose man I still have some questions: Why does his new body look just like his original one? Why can't he walk still?) Days of Future Past also suffers from the same problem that plagued First Class: it doesn't fit in with the rest of the X-Men timeline (though just those two movies fit together OK). For example, Origins: Wolverine establishes that during this time period, Wolverine was working for Colonel Stryker with Sabretooth.
  But on its own, X-Men: Days of Future Past is a pretty good film. It has good action, exceptional acting, and a thought-provoking story. Come to think of it, the time-travelling, history-altering ending of this film kind of makes all the past plot inconsistencies not matter any more. Things are different now; it's as if they've rebooted the series without really rebooting it. It's incredible, really. This screenplay is a stroke of unparalleled genius!
  (Ahem.) It's pretty good despite evidence of several rewrites (some staple characters make only momentary appearances and a couple subplots end up going nowhere). X-Men fans and action fans will like it. The time-travelling and retcons give it a more comic book feel to it than First Class, which I'm sure some people will prefer. Just don't bother seeing it in 3D (in this case it isn't all that great).

Rating: three and a half stars out of five.

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